
Recently, The Guardian published an article entitled "Blackface and Fu Manchu moustaches: Does Ballet Have a Race Problem?" The article included comments from creative figures in the ballet field, with mixed opinions, including indications that political correctness is already restricting creative freedom.
Problems of racial casting and creative interpretation are particularly important in plays, ballet and opera, which are not fixed as literature and art are. Interpretation in ballet can come in many forms: from casting, costumes and sets to removing scenes and characters. Lots of classic ballets feature foreign settings and non-white, non-European characters. If a production is to create an authentic atmosphere - however incomplete - then it is justifiable to use props, costumes and make-up to achieve that.












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