In March 2016 I submitted a request to the US Navy for copies of entertainment liaison office reports, script notes and production assistance agreements. Over a hundred emails and three appeals later they have finally released some script notes to me, but the document is almost entirely redacted.
Sometimes people ask me why I do this sort of work and why this area of research (government in Hollywood) is so important to me. One of the reasons is that
the Pentagon, CIA, FBI and the rest would prefer it if no one knew about their role in censoring and rewriting movie and TV scripts for political propaganda purposes. They would prefer that no one knew they were being manipulated and lied to through innocent-seeming entertainment, because otherwise that manipulation would be much harder and less effective.
The Navy's response illustrates this perfectly. After nearly a year they got back to me to say that they had asked CHINFO West (Chief of Navy Information Office West, the official name for the Navy's entertainment liaison office) and
said that they don't keep copies of script notes for the TV and movie projects they support. I appealed this finding, pointing out that they had previously released the script notes for
Lone Survivor, which can still be found on the US Navy's website, therefore
they do keep script notes and do, on occasion, release them.
Comment: In the US, Hersh is among the last of a dying breed: journalists who can think.