"Monsters in movies are us, always us, one way or the other. They're us with hats on. The zombies in George Romero's movies are us. They're hungry. Monsters are us, the dangerous parts of us. The part that wants to destroy. The part of us with the reptile brain. The part of us that's vicious and cruel. We express these in our stories as the monsters out there. The zombies are back. They are hungry. And they are lurking around every corner."—Filmmaker John Carpenter
© A Government of Wolves
RIP George Romero (1940-2017).
Romero—a filmmaker hailed as the architect of the zombie genre—is
dead at the age of 77, but the zombified police state culture he railed against lives on.
Just take a look around you.
"We the people" have become the walking dead of the American police state.We're still plagued by the socio-political evils of cultural apathy, materialism, domestic militarism and racism that Romero depicted in his
Night of the Living Dead trilogy.
Romero's zombies have taken on a life of their own in pop culture, as well.
Indeed, you don't have to look very far anymore to find them lurking around every corner: wreaking havoc in movie blockbusters,
running for their lives in 5K charity races, and putting government agents through their paces in
mock military drills arranged by the Dept. of Defense (DOD) and the Center for Disease Control (CDC).
In fact, the CDC put together a
zombie apocalypse preparation kit "that details everything you would need to have on hand in the event the living dead showed up at your front door."
Zombies also embody the government's paranoia about the citizenry as potential threats that need to be monitored, tracked, surveilled, sequestered, deterred, vanquished and rendered impotent.
Comment: See also: Leaders of Donetsk declare new state of Malorossiya