
© Snap/Rex/ShutterstockActors Mickey Rooney and Judy Garland with Louis B Mayer. Mayer insisted his young protege sit on his lap.
In the Hollywood dream factory, trauma surfaces as light entertainment. In 2013, introducing the list of best supporting actress nominees at a pre-Oscars event, comedian Seth MacFarlane quipped: "Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein." What was chilling about this was not just that MacFarlane followed it up at the Oscars with a stream of "edgy" jokes, including the line that nine-year-old Quvenzhané Wallis had "16 years before she's too old for Clooney" and the nauseating We Saw Your Boobs song. What is really disturbing is that everyone - even people who had no idea of what has now emerged about Weinstein's behaviour - got the joke. The idea that female stars and aspiring stars are required to accept the attentions, at the very least, of older male studio executives and producers, is as old as the Hollywood hills.
Why are those of us who don't attend breakfast meetings in Beverly Hills familiar with the phrase "the casting couch"? Why is there even a euphemism for this extreme form of sexual harassment? The power imbalance between female stars and older male executives is so well broadcast that it features in Hollywood films and awards ceremonies, as a plot device or as a joke, and nobody takes the trouble to hide it.
In this weighted system,
historic horror stories abound of executives taking advantage of starlets. Shirley Temple recalled that Arthur Freed, a producer at MGM, exposed himself to her when she was 12 years old. Louis B Mayer insisted that his protege Judy Garland sit on his lap - she was one of a number of "juvenile stars" at the MGM studio, whose punishing schedule, she said, required amphetamines to get through the day, and sleeping pills to rest at night. Ginger Rogers said that Harry Cohn, the head of Columbia, chased her around a desk making passes. Marilyn Monroe compared Hollywood to an "overcrowded brothel". Joan Collins, who was warned about "wolves" by Monroe, says she missed out on the lead in Cleopatra because she refused to be "nice" to the head of 20th Century Fox, Buddy Adler, who also reportedly harassed a 19-year-old Rita Moreno.
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