OF THE
TIMES
Dante once said that the hottest places in Hell are reserved for those who, in a period of moral crisis, maintain their neutrality.
Another coke and pepsi article (IMO). The conservatives are not without fault here! Antifa is no different than Proud Boys [Link] . They are on...
No SOTT Editors. USAID is the decoy. The Trojan horse is Elon himself and the whole operation of erecting the Total Information Awareness...
Fox News, Trump's favourite. No wonder everything is heading south. Pointing fingers at the "other team", and pretend not to realize the the whole...
Humanism has, perhaps inevitably, become snared in its own tangled webs of deceit and fakery. The irony is that arguably, as communities,...
up in smoke i am 70 years old. it is july and it is hot. and i am actually doing a fair amount of hard, physical labor. sometimes even out under...
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From Wikipedia:
In Greek mythology, the Chimera (Greek Χίμαιρα (Chímaira); Latin Chimaera) is a monstrous creature of Lycia in Asia Minor, which was made of the parts of multiple animals. Chimera was one of the offspring of Typhon and Echidna and sister of such monsters as Cerberus and the Lernaean Hydra.
Homer's brief description in the Iliad is the earliest literary reference: "a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire".
Hesiod's Theogony follows the Homeric description: he makes the Chimera the issue of Echidna: "She was the mother of Chimaera who breathed raging fire, a creature fearful, great, swift-footed and strong, who had three heads, one of a grim-eyed lion; in her hinderpart, a dragon; and in her middle, a goat, breathing forth a fearful blast of blazing fire. Her did Pegasus and noble Bellerophon slay."
In Medieval art, though the chimera of Antiquity was forgotten, chimerical figures appear as embodiments of the deceptive, even Satanic forces of raw nature. Provided with a human face and a scaly tail, as in Dante's vision of Geryon in Inferno , hybrid monsters, actually more akin to the Manticore of Pliny's Natural History, provided iconic representations of hypocrisy and fraud well into the seventeenth century, through an emblemmatic representation in Cesare Ripa's Iconologia.
How utterly exciting…