She told me that the "messages" of her films were dependent not on "orders from above," but on the "submissive void" of the German public. Did that include the liberal, educated bourgeoisie? "Everyone," she said.
Today, we prefer to believe that there is no submissive void. "Choice" is ubiquitous. Phones are "platforms" that launch every half-thought. There is Google from outer space if you need it. Caressed like rosary beads, the precious devices are borne heads-down, relentlessly monitored and prioritised. Their dominant theme is the self. Me. My needs. Riefenstahl's submissive void is today's digital slavery.
Edward Said described this wired state in 'Culture and Imperialism' as taking imperialism where navies could never reach. It is the ultimate means of social control because it is voluntary, addictive and shrouded in illusions of personal freedom.
