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For years the influence of the CIA in Hollywood was hidden and unacknowledged. Now it's more of an open secret; not publicized, but pretty easy to read up on if you care. Just ask the spy agency's Entertainment Industry Liaison.
Yes, such a thing
really exists.
You see, the CIA's man in Hollywood wants to help actors, authors, directors, producers and screenwriters
"gain a better understanding" of the intelligence agency in order to ensure
"accurate portrayals" of its activities. It even wants to help fire up the neurons and actually give you some good ideas if you're coming up short in that department. Indeed, the
CIA provides "inspiration for future storylines" and lists them on its website. Of course, it's all in the interest of creating authentic and balanced portrayals of US intelligence agencies and the US military. And they're quite busy, too.
Between 2006 and 2011, the CIA public relations office had input into at least 22 film and movie projects.In a
column for the
Washington Post in 2011, David Sirota noted that the
Pentagon too enlists the help of Hollywood for PR purposes when things are going awry and Americans are becoming weary of war. Movies like Top Gun in the 1980s and Zero Dark Thirty more recently were made in consultation with the Pentagon and White House. The result of this "creative input for Pentagon assistance" bargain created an entertainment culture "rigged to produce relatively few anti-war movies and
dozens of blockbusters that glorify the military" and which amounts to "government subsidized propaganda," Sirota wrote.
Comment: The Russian Foreign Ministry explicitly denied carrying out an airstrike on the school. Maria Zakharova: "This is a lie. Russia has nothing to do with this dreadful attack." The Defense Ministry followed up with their own statement, which unlike the paranoid ravings of SOHR and the White Helmets, actually included some evidence: In addition, just as with the humanitarian aid convoy attack, Russian recon detected a U.S. drone in the area at the time of the attack: