OF THE
TIMES
Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that. That's what's insane about it.
And that’s just a few months after watching what's of left of this guy’s brain melt out of his ears on live TV, like some horror movie Cronenberg...
MArk BISONE on Kamala and Walz [Link]
Pretentious and grandstanding. Always whining about the external negatives instead of clearing out your own. Excuses Be Gone is another helpful...
Margaret Brennan, host of the CBS Face the Nation propaganda program and "moderator" at the recent Vance-Walz debate, is also a director at the...
Did anyone notice the crude triangle tattoo between her eyes? I wonder what that’s about?
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From Wikipedia:
In Greek mythology, the Chimera (Greek Χίμαιρα (Chímaira); Latin Chimaera) is a monstrous creature of Lycia in Asia Minor, which was made of the parts of multiple animals. Chimera was one of the offspring of Typhon and Echidna and sister of such monsters as Cerberus and the Lernaean Hydra.
Homer's brief description in the Iliad is the earliest literary reference: "a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire".
Hesiod's Theogony follows the Homeric description: he makes the Chimera the issue of Echidna: "She was the mother of Chimaera who breathed raging fire, a creature fearful, great, swift-footed and strong, who had three heads, one of a grim-eyed lion; in her hinderpart, a dragon; and in her middle, a goat, breathing forth a fearful blast of blazing fire. Her did Pegasus and noble Bellerophon slay."
In Medieval art, though the chimera of Antiquity was forgotten, chimerical figures appear as embodiments of the deceptive, even Satanic forces of raw nature. Provided with a human face and a scaly tail, as in Dante's vision of Geryon in Inferno , hybrid monsters, actually more akin to the Manticore of Pliny's Natural History, provided iconic representations of hypocrisy and fraud well into the seventeenth century, through an emblemmatic representation in Cesare Ripa's Iconologia.
How utterly exciting…