© UnknownBLM Scream
During a recent conversation about groupthink in the arts, a playwright friend of mine told me about his experience last year of rehearsing his latest drama. A director had been enlisted to take charge, and from the outset was determined to impose his ideological values on to the production. Before long he was cutting lines that he considered 'problematic', and policing how these topics were discussed in rehearsal. The characters as portrayed in the script were morally ambiguous but, to the frustration of the writer, this director was adamant that the show must convey the 'correct' message. For him, theatre was simply another tool to spread the word of social justice.
Anyone who works in the arts will be aware of the deleterious impact that woke politics has had on creative freedom, although few will be bold enough to admit it publicly. That this director was enjoying his power was obvious, and I did suggest to my friend that perhaps a more open-minded practitioner might have improved the process. 'That's the trouble', he said to me, 'we couldn't find one'. By the time the production's run had started, my friend was struck by a terrible realisation. He had been treating this director as one might a dangerous dog: overly anxious not to cause him any displeasure, and always aware that he could lash out and bite at any moment.
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