Lasha Darkmoon
Occidental Observer
Fri, 20 Nov 2009 18:02 EST
My
article, "The Plot Against Art," elicited an unprecedented number of emails. These came mostly from angry artists who believed that they had produced works of high quality that had been spurned by the art establishment. The artists who had achieved world fame, on the other hand, had in many cases done so only because they had produced decadent works of trash designed to deprave and corrupt the public: such as pornographic Madonnas, crucifixes offensively placed in urine, cans stuffed with the artist's own excrement, and unmade beds with condoms and blood-stained panties conveniently scattered around as "significant" litter.
These puerile charlatans had set out to destroy traditional values, promote sexual perversion, mock Christianity, and, in general, create ugliness and despair - a sorry situation promoted by an art establishment that has been dominated since the early 20th century by Jewish art critics, collectors and dealers. This Jewish influence on art is of course in accordance with the openly declared aims of the
Frankfurt School, a Jewish revolutionary movement dedicated to the destruction of traditional Western values - and indeed to the very people who live by those cherished values.
Unbelievable? Absolutely. If it weren't unbelievable, it wouldn't be true.
I ought perhaps to mention my reasons for discussing these emails in public. (With one
exception, pseudonyms are used, because this was generally insisted on as the condition for publication. I also had to do some editing for style and brevity.)