We all know the basic reasons why Osama Bin Laden chose to attack the World Trade Center, out of all the buildings in New York. Its towers were the two tallest in the city, synonymous with its skyline. They were richly stocked with potential victims. And as the complex's name declared, it was designed to be a center of American and global commerce. But Bin Laden may have had another, more personal motivation.
The World Trade Center's architect, Minoru Yamasaki, was a favorite designer of the Binladin family's patrons — the Saudi royal family — and a leading practitioner of an architectural style that merged modernism with Islamic influences.
The story starts in the late 1950s, when Yamasaki, a second-generation Japanese-American,
King Fahd Dhahran Air Terminal in Dhahran, Saudi Arabia, today known as the King Abdulaziz Air Base
won the commission to design the King Fahd Dhahran Air Terminal in Dhahran, Saudi Arabia. His design had a rectilinear, modular plan with pointed arches, interweaving tracery of prefabricated concrete, and even a minaret of a flight tower. In other words, it was an impressive melding of
modern technology and traditional Islamic form. The Saudis admired it so much that they put a picture of it on one of their banknotes.
For Yamasaki, an architect with a keen mathematical mind and a taste for ornamental pattern-work, this brush with the intricate geometries of Islamic architecture was inspiring, and
he began to incorporate arabesques and arches into his work. For the next 12 to 15 years he played with Islamic forms in projects as diverse as the Federal Science Pavilion at the Seattle World's Fair, the Eastern Airlines Terminal at
Logan Airport, and even the North Shore Congregation Israel in Glencoe, Illinois.
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