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I wouldn't call it fascism exactly, but [an American] political system nominally controlled by an irresponsible, dumbed down electorate who are manipulated by dishonest, cynical, controlled mass media that dispense the propaganda of a corrupt political establishment can hardly be described as democracy either.
Edward Zehr

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Drawings by journalist Sami al-Haj depicting torture at Gitmo have been censored. Sami al-Haj is a journalist, but one unlike any other. For over six years since December 15, 2001 -- when he was seized by Pakistani soldiers on the Afghan border while on assignment as a cameraman for the Qatar-based broadcaster al-Jazeera -- he has been in a disturbing but unique position: a trained journalist held as an "enemy combatant" on the frontline of the Bush administration's "War on Terror," first in Afghanistan, and then in Guantánamo. The outline of Sami's story should be familiar to readers; last summer AlterNet published a detailed article by Rachel Morris: "Prisoner 345: An Arab Journalist's Five Years in Guantánamo," which made clear how Sami was seized because of the erroneous claim that he had interviewed Osama bin Laden, and the disturbing fact that his many interrogations in Guantánamo have focused solely on the administration's attempts to turn him into an informant against al-Jazeera, to "prove" a connection between the broadcaster and Osama bin Laden that does not exist. As his lawyer, Clive Stafford Smith of the legal action charity Reprieve, noted bluntly and accurately in his book Eight O'Clock Ferry to the Windward Side: Seeking Justice in Guantánamo Bay, "Sami was a prisoner in the Bush Administration's assault on al-Jazeera." Less well known is Sami's frontline reportage from within Guantánamo. Stafford Smith recalls that when he asked Sami for information, he "would assemble important facts on almost any topic in the prison relying on the incredible prisoner bush telegraph." These have included reports on the religious abuse -- primarily of the Qu'ran -- that preceded a series of hunger strikes and suicide attempts, and a pioneering assessment of the number of prisoners who were under 18 at the time of their capture. Since January 7, 2007 (the fifth anniversary of his detention without trial by the US), Sami has been on a hunger strike. Although he is strapped into a restraint chair twice a day and force-fed against his will and despite the fact that he is "very thin" and "[h]is memory is disintegrating," according to Stafford Smith, Sami continues to seek ways to publicize the plight of his fellow prisoners. During the most recent visit from his lawyers in February -- with Cori Crider of Reprieve -- he produced a number of morbid, and almost hallucinatory sketches illustrating his take on conditions in Guantánamo, which he described as "Sketches of My Nightmare". Fearing that they would be banned by the military censors, Crider asked him to describe each sketch in detail and when, as anticipated, the pictures were duly banned but the notes cleared, Reprieve asked political cartoonist Lewis Peake to create original works based on Sami's descriptions.
"The first sketch is just a skeleton in the torture chair," Sami explained. "My picture reflects my nightmares of what I must look like, with my head double-strapped down, a tube in my nose, a black mask over my mouth, strapped into the torture chair with no eyes and only giant cheekbones, my teeth jutting out -- my ribs showing in every detail, every rib, every joint. The tube goes up to a bag at the top of the drawing. On the right there is another skeleton sitting shackled to another chair. They are sitting like we do in interrogations, with hands shackled, feet shackled to the floor, just waiting. In between I draw the flag of Guantánamo -- JTF-GTMO -- but instead of the normal insignia, there is a skull and crossbones, the real symbol of what is happening here." In recently declassified testimony, Sami described more of his recent experiences of the force-feeding process:
Sami's second sketch is his take on the familiar JTF-GTMO sign outside the prison.
"This time," he explained, "the hooded skeleton is in a three-piece suit [the prisoners' term for being shackled at the wrists, ankles and waist]. The head is totally blacked out. The wrists are shackled at the back, with chains running down the legs. There are very elaborate arm bones, leg bones and the spine. And again the flag, the Jolly Roger of JTF-GTMO with a diabolical smile on the skull." For his next sketch, Sami shifted his attention to the prison hospital.
"There is a third sketch, which is about the Hospital," he said. "Again it is a skeleton, but with a face this time. The top of the skull is dotted with tracks, tracks of pain. This is the hospital gurney prisoner. He sits completely still, his hands and feet shackled to the side of the bed." In his testimony, recently released, Sami has elaborated on his experiences of the hospital:
In the fifth sketch, Sami explained the meaning of the bloated body, noting that, even if the prisoner's weight were to rise due to force-feeding, he would still be losing his mind.
"In the second half of this drawing the prisoner is inflated," he said. "The man is strapped to the gurney, and the weight on the scale reads 250 lbs. He has filled out, there are rolls of fat on his belly, but he is still mad. The pumps are all hooked up, forcing food into him. But the top half of his head is still vacant." The last of his declassified notes add a disturbing conclusion to the story of the doctors' involvement in the force-feeding process, and the horrendous isolation and deprivation that still prevail in Guantánamo:
Andy Worthington is a writer and historian, and author of The Guantánamo Files.
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