© University of Birmingham
A host of previously unknown archaeological monuments have been discovered around Stonehenge as part of an unprecedented digital mapping project that will transform our knowledge of this iconic landscape - including
remarkable new findings on the world's largest 'super henge', Durrington Walls.
The Stonehenge Hidden Landscapes Project, led by the University of Birmingham in conjunction with the Ludwig Boltzmann Institute for Archaeological Prospection and Virtual Archaeology, is the largest project of its kind.
Remote sensing techniques and geophysical surveys have discovered
hundreds of new features which now form part of the most detailed archaeological digital map of the Stonehenge landscape ever produced. The startling results of the survey, unveiled in full at the British Science Festival, include 17 previously unknown ritual monuments dating to the period when Stonehenge achieved its iconic shape. Dozens of burial mounds have been mapped in minute detail, including
a long barrow (a burial mound dating to before Stonehenge) which revealed a massive timber building, probably used for the ritual inhumation of the dead following a complicated sequence of exposure and excarnation (defleshing), and which was finally covered by an earthen mound.
The project has also revealed exciting new - and completely unexpected - information on previously known monuments. Among the most significant relate to the Durrington Walls 'super henge', situated a short distance from Stonehenge. This immense ritual monument, probably the largest of its type in the world,
has a circumference of more than 1.5 kilometers (0.93 miles).
A new survey reveals that this had an early phase when
the monument was flanked with a row of massive posts or stones, perhaps up to three metres high and up to 60 in number - some of which may still survive beneath the massive banks surrounding the monument. Only revealed by the cutting-edge technology used in the project, the survey has added yet another dimension to this vast and enigmatic structure.
Work also revealed novel types of monument including
massive prehistoric pits, some of which appear to form astronomic alignments, plus new information on hundreds of burial mounds, Bronze Age, Iron Age and Roman settlements and fields at a level of detail never previously seen. Taken together, these results - which will be featured in a major new BBC Two series titled Operation Stonehenge: What Lies Beneath - show that new technology is reshaping how archaeologists understand the landscape of Stonehenge and
its development over a period of more than 11,000 years.
In the year marking the centenary of the First World War, the new Stonehenge map even impacts on our knowledge of that momentous event.
Surveys have produced detailed maps of the practice trenches dug around Stonehenge to prepare troops for battle on the western front, as well as maps of RAF/RFC Stonehenge - one of Britain's first military airbases used by the Royal Flying Corps between 1917 and 1920.
British project leader Professor Vincent Gaffney, Chair in Landscape Archaeology and Geomatics at the University of Birmingham, said: 'The Stonehenge Hidden Landscapes Project is unique at a global level. Not only has it revolutionised how archaeologists use new technologies to interpret the past, it has transformed how we understand Stonehenge and its landscape.
'Despite Stonehenge being the most iconic of all prehistoric monuments and occupying one of the richest archaeological landscapes in the world,
much of this landscape in effect remains terra incognita.
'This project has revealed that the area around Stonehenge is teeming with previously unseen archaeology and that the application of new technology can transform how archaeologists and the wider public understand one of the best-studied landscapes on Earth.
© University of Birmingham
'Stonehenge may never be the same again.'
Professor Wolfgang Neubauer, Director of the Ludwig Boltzmann Institute, said: 'Developing non-invasive methods to document our cultural heritage is one of the greatest challenges of our time and can only be accomplished by adapting the latest technology such as ground-penetrating radar arrays and high-resolution magnetometers. The developments of the Ludwig Boltzmann Institute for Archaeological Prospection and Virtual Archaeology (LBI ArchPro) offer Europe the opportunity to carry out fundamental archaeological research at a scale and precision never previously attempted.
'No landscape deserves to benefit from a study at this level of detail more than Stonehenge. The terabytes of digital survey data collected, processed and visualised by LBI ArchPro provide the base for the precise mapping of the monuments and archaeological features buried in the subsurface or still visible in the landscape surrounding Stonehenge. After centuries of research, the analysis of all mapped features makes it possible, for the first time, to reconstruct the development of Stonehenge and its landscape through time.'
The Stonehenge Hidden Landscapes Project is a collaboration between the University of Birmingham; Ludwig Boltzmann Institute for Archaeological Prospection and Virtual Archaeology, Vienna and its international partners; University of Bradford; University of St Andrews; University of Nottingham; and the 'ORBit' Research Group of the Department of Soil Management at the University of Ghent, Belgium.
The project operates under the auspices of the National Trust and English Heritage.
Dr Nick Snashall, National Trust Archaeologist for the Avebury and Stonehenge World Heritage Site, said: 'Using 21st-century techniques, the Stonehenge Hidden Landscapes team have transformed our knowledge of this ancient, precious and very special landscape. Their work has revealed a clutch of previously unsuspected sites and monuments showing how much of the story of this world-famous archaeological treasure house remains to be told.'
Dr Heather Sebire of English Heritage, Curator of Stonehenge, said: 'This is such an exciting project. The surveys will help us form an understanding of possible new sites which have not been recorded before but which will need further investigation.'
I just happen to be listening to Traffic, Shootout At The Fantasy Factory,* and the song "Rollright Stones."
(Granted, they aren't the same as Stonehenge and I know little of this one of the many lands of my ancestors, but they are believed to be of similar ages. See, e.g., "-the-rollright-stones---as-old-as-stonehenge-but-much-less-well-known" at: http://www.personapaper.com/article/7346-the-rollright-stones---as-old-as-stonehenge-but-much-less-well-known.)
Rollright Stones (Winwood/Capaldi)
Till I find out where will I go, where will I go?
I don't know, I don't know
I don't know where the spaces between my eyes
Open up to heavenly skies, death awaits with pearly gates
Those who've been mesmerized, many years have come and gone
Went to see the Standing Stones
Some in circle, some alone
Ancient, worn and weather torn
They chilled me to my very bone
Many of these can be seen in quiet places, fields of green
Of heathen lands with countless names
And the only thing that remains are the Rollright Stones
Space Age before my eyes
Opening up the skies
Death awaits with pearly gates
For those who've been mesmerized
Many years have come and gone
But progress marches slowly on
Nature stains it has to stay
Cause everybody is going insane
The only the only thing that will sustain are the Rollright Stones.
Rollright Stones, Rollright Stones
Went to see an ancient mound
People buried underground
Come or go we'll never know
What it was like to hear that sound
Black crow I know you've been here
You've seen the sights of yesteryear
You steal the grain, I can't complain
And the only thing that remains are the Rollright Stones
I guess I'll also post this at the other linked article about this story.
R.C.
* A GREAT ALBUM and I saw Traffic play it to an empty arena about 15 years ago.
Though I'm Listening to a CD - a question: Does anyone else remember how that album, - (and also, how the album "Low Spark of High Heeled Boys"**) - had - as I recall - their top right and bottom left corners cut off? Indeed, I believe I still have those around somewhere, which attests to the fact I don't live in Palestine, I guess.
** One of my wise ex's pointed out how she thought that Low Spark title song was about bankers, "making money on your green(s?)", I think she was right. Smart girl, she was/is.
R.C.
("Try not to think, but my mind won't stop." 'Evening Blue' just finished.)
RC