
Four views of the Venus of Willendorf figurine in the Naturhistorisches Museum in Vienna.
Were they fertility symbols, religious objects, simple dolls or portraits, guides to beauty or even early pornography?
Now two US doctors and an anthropologist have thrown their thoughts into the mix, suggesting the pragmatic theory that the figurines are something of an advertisement for the best look to have in tough times.
Carved 30,000 years ago in Ice Age Europe, they depict women who are obese by modern standards (the new paper, in fact, is published in the journal Obesity) at a time and place "where you would not expect to see obesity at all", says lead author Richard Johnson from the University of Colorado.
"We show that these figurines correlate to times of extreme nutritional stress," he says. As such, they "emerged as an ideological tool to help improve fertility and survival of the mother and newborns".
"The aesthetics of art thus had a significant function in emphasising health and survival to accommodate increasingly austere climatic conditions."
Comment: For more on what may have initiated the tsunami, check out Pierre Lescaudron's article The Seven Destructive Earth Passes of Comet Venus.
See also: Erosion of North Sea reveals remnants of 7,000 year old ancient forest believed to be part of Doggerland