A writer she doesn't mention, however, is William Peter Blatty, author of the blockbuster 1971 horror novel The Exorcist. Those who have never read the novel, or are familiar only with its 1973 cinematic incarnation, probably believe the book to be a potboiler about demonic possession. But it is also an allegorical warning about the importance of the traditional family unit and the devastation wrought when it breaks down. Curiously, this aspect of the novel went largely unnoticed by the book's earliest reviewers.
Back in 1971, the advent of no-fault divorce laws in the United States was seen in liberal circles as an unalloyed benefit for society. Thus, the book critics for most of the mainstream publications that bothered to review The Exorcist — Time, the New York Times, the Los Angeles Times, etc. — treated the book as either a modern day pastiche of Poe and Mary Shelley, or else as a traditional story of the battle between Good and Evil. What's odd about this is that Blatty made no effort to hide his social conservatism. You don't have to be a postmodern literary detective to find it in the subtext. Blatty was not a subtle writer, and he set his message out on the page for all to see, although very few have ever remarked upon it.
Comment: The area occupied by the U.S. just happens to be one of only two border crossing points with Iraq. The U.S. continues to hold the area out of pure spite and malevolence, preventing trade between Syria and Iraq to resume to its pre-war levels. And of course, the Americans are utilizing terrorists to keep it so. That's a given.