The Report, a new film from Vice Studios starring Adam Driver, feels somehow both timely and late. It tells the story of American Senate staffer Daniel Jones (Driver), who was tasked with investigating the U.S. government's "enhanced interrogation" program in the late 2000s. The program, which many denounced as torture, was used to extract intelligence from suspected terrorist detainees at CIA black sites after Al Qaeda's attack on September 11, 2001. It ended years ago and is no longer even legal — the McCain-Feinstein Amendment restricts prisoner interrogation techniques to those listed in the United States Army's field manual, and it passed the Senate with a 78-21 vote in 2015, backed by majorities in both parties.
Among the general public, however, the topic
remains controversial, with
almost half of Americans saying they think torture could be used to obtain "important military information" from "a captured enemy combatant" and only a little more than half saying they think torture is "wrong." During and after his 2016 campaign, President Donald J. Trump, ever-sensitive to divergences between "elite" and "popular" opinion, promised to revive and even expand enhanced interrogation, claiming that waterboarding is a "minor form" of torture and that "we should go much stronger than waterboarding."
Jones worked for Senator Dianne Feinstein (played in the film by Annette Bening) and was deputized by a bipartisan Senate committee to lead a team of six — three Democrats and three Republicans — to find out exactly what the CIA program had entailed. In the flash-forward that opens the film, we learn that his obsessive dedication to the report cost him his romantic relationship, but as we return to the report's inception and watch events unfold chronologically, we also see that this kind of personality was required to pursue the investigation to completion and release. "Do you ever sleep?" a security guard asks Jones at one point. "I used to," he replies, "but it got in the way of the work."
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