
A Mafa man listens to musical pieces through headphones as his wife and child, as well as researcher Thomas Fritz, wait for him to complete the experimental task.
"I was quite amazed that the Mafa accurately categorized basic emotions in pieces of Western music on the first listen," Fritz says. His team's investigation indicates that Mafa and Western listeners similarly derive emotional meaning from the tempo and key of musical passages. Both groups tended to classify fast-paced pieces as happy and slow ones as scared or fearful, and mostly agreed on which passages were sad, but assigned no particular tempo with them. Mafa and Westerners also generally regarded major-key pieces as happy, minor-key excerpts as fearful and passages with an indeterminate key as sad.











