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Wed, 20 Oct 2021
The World for People who Think

Evil Rays

Excluded from the Copenhagen Agenda: Environmental Modification Techniques (ENMOD) and Climate Change

Image
© Unknown
To what extent is 'climate change' the result of HAARP's activation? Are some natural catastrophes directed energy weapons at work in the Pathocracy's war against the people?
The manipulation of climate for military use
The term "environmental modification techniques" refers to any technique for changing - through the deliberate manipulation of natural processes - the dynamics, composition or structure of the Earth, including its biota, lithosphere, hydrosphere and atmosphere, or of outer space. (Convention on the Prohibition of Military or Any Other Hostile Use of Environmental Modification Techniques, United Nations, Geneva: 18 May 1977)

"Environmental warfare is defined as the intentional modification or manipulation of the natural ecology, such as climate and weather, earth systems such as the ionosphere, magnetosphere, tectonic plate system, and/or the triggering of seismic events (earthquakes) to cause intentional physical, economic, and psycho-social, and physical destruction to an intended target geophysical or population location, as part of strategic or tactical war." (Eco News)

"[Weather modification] offers the war fighter a wide range of possible options to defeat or coerce an adversary... Weather modification will become a part of domestic and international security and could be done unilaterally... It could have offensive and defensive applications and even be used for deterrence purposes. The ability to generate precipitation, fog and storms on earth or to modify space weather... and the production of artificial weather all are a part of an integrated set of [military] technologies." (US Air Force document AF 2025 Final Report)

Propaganda

Climategate: The Backstory

The Corbett Report recently sat down with Dr. Tim Ball, a retired professor of climatology at the University of Winnipeg to talk about Phil Jones and the Climate Research Unit. Here, two months before "Climategate" and the hacked emails, we talk about the highly secretive nature of the CRU at East Anglia. To read Dr. Ball's article on the subject in the Canada Free Press, follow this link.


Bad Guys

Ukrainian Kids, New Victims of Israeli "Organ Theft"

Organ theft
© PressTV
An international Israeli conspiracy to kidnap children and harvest their organs is gathering momentum as another shocking story divulges Tel Aviv's plot to import Ukrainian children and harvest their organs.

The story brings to light the fact that Israel has brought some 25,000 Ukrainian children into the occupied entity over the past two years in order to harvest their organs. It cites a Ukrainian man's fruitless search for 15 children who had been adopted in Israel. The children had clearly been taken by Israeli medical centers, where they were used for 'spare parts'.

The account was unveiled five days ago by a Ukrainian philosophy professor and author, Vyacheslav Gudin, at a pseudo-academic conference in the Ukrainian capital, Kiev. Gudin told an estimated 300 attendees of the Kiev conference that it was essential that all Ukrainians be made aware of the genocide Israel was perpetrating.

Hourglass

Climategate: Science Is Dying

climate research
© Gary Varvel
Surely there must have been serious men and women in the hard sciences who at some point worried that their colleagues in the global warming movement were putting at risk the credibility of everyone in science. The nature of that risk has been twofold: First, that the claims of the climate scientists might buckle beneath the weight of their breathtaking complexity. Second, that the crudeness of modern politics, once in motion, would trample the traditions and culture of science to achieve its own policy goals. With the scandal at the East Anglia Climate Research Unit, both have happened at once.

I don't think most scientists appreciate what has hit them. This isn't only about the credibility of global warming. For years, global warming and its advocates have been the public face of hard science. Most people could not name three other subjects they would associate with the work of serious scientists. This was it. The public was told repeatedly that something called "the scientific community" had affirmed the science beneath this inquiry. A Nobel Prize was bestowed (on a politician).

Igloo

Earth could plunge into sudden ice age

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© 20th Century Fox
The film "The Day After Tomorrow" was all good fiction when it came out in 2004, but now scientists are finding eerie truths to the possibilities of sudden temperature swings.
In the film, The Day After Tomorrow, the world gets gripped in ice within the span of just a few weeks. Now research now suggests an eerily similar event might indeed have occurred in the past.

Looking ahead to the future, there is no reason why such a freeze shouldn't happen again - and in ironic fashion it could be precipitated if ongoing changes in climate force the Greenland ice sheet to suddenly melt, scientists say.

Starting roughly 12,800 years ago, the Northern Hemisphere was gripped by a chill that lasted some 1,300 years. Known by scientists as the Younger Dryas and nicknamed the "Big Freeze," geological evidence suggests it was brought on when a vast pulse of fresh water - a greater volume than all of North America's Great Lakes combined - poured into the Atlantic and Arctic Oceans.

This abrupt influx, caused when the glacial Lake Agassiz in North America burst its banks, diluted the circulation of warmer water in the North Atlantic, bringing this "conveyer belt" to a halt. Without this warming influence, evidence shows that temperatures across the Northern Hemisphere plummeted.

Heart

Nana Mouskouri - Song for Liberty

When you sing I'm singing with you liberty
When you cry I cry with you in sorrow
When you suffer I'm praying for you liberty
For your struggles will bring us a new tomorrow
Days of sad darkness and fear must one day crumble
For the force of your kindness and love make them tremble
When you sing I'm singing with you liberty
In the void of your absence I keep searching for you
Who are you dream illusion or just reality
Faith ideal desire revolution
I believe you're the symbol of our humanity
Lighting up the world for eternity
I can see why men die to defend you
Try to guard to protect and attend you
When you sing I'm singing with you liberty
With your tears or your joys I love you
Let us sing and rejoice make our own history
Songs of hope with one voice guide us to victory
Liberty, Liberty

Red Pill

CBS reporter blows the lid off Swine Flu media hype

In case you didn't realize it, Sharyl Attkisson is the investigative reporter behind the groundbreaking CBS News study that found H1N1 flu cases are NOT as prevalent as feared.

In fact, they're barely on the radar screen.

How did this startling information come about, and why is the U.S. Centers for Disease Control and Prevention (CDC) painting a different picture entirely? I spoke directly with Sharyl Attkisson to find out.

Two Videos

The first video is an amazing interview I did with Sharyl about ten days ago and what the bulk of this article is based on.

The second video is brand new and was done at noon yesterday in which I was videoed in the CBS studio in downtown Chicago. Sharyl was gracious enough to invite me to be on with Dr. Bernadine Healy, the former director of the NIH. We both were in agreement about the swine flu and opposed to the stance the CDC is taking, but we had different views on mammograms.

Please also watch the second interview as it is very entertaining.


Bizarro Earth

Global Warming: "Fixing the Climate Data around the Policy"

Al Gore
© The Minority Report
More than 15,000 people will be gathering in Copenhagen for COP 15: the 15th Conference of the Parties to the UN Framework Convention on Climate Change (UNFCCC).

Official delegations from 192 nations will mingle with the representatives of major multinational corporations, including Royal Dutch Shell, British Petroleum. The representatives of environmental and civil society organizations will also be in attendance. Parties & Observers

Heads of state and heads of government are slated to be in appearance in the later part of the Summit event. (See The essentials in Copenhagen - COP15 United Nations Climate Change Conference Copenhagen 2009)

It is worth noting that key decisions and orientations on COP15 had already been wrapped up at the World Business Summit on Climate Change (WBSCC) held in May in Copenhagen, six months ahead of COP15.

Video

Climategate: Science corrupted

Russia Today interviews Peter Lilly, UK Conservative Party MP and trained physicist regarding the recent leak of thousands of emails demonstrating conclusively that the Earth's climate is cooling. He suspects this will do little to halt the global warming juggernaut as it prepares to convene in Copenhagen for a world summit that "will just agree to meet again."


Palette

Spitting Mad Jews and Angry Artists

My article, "The Plot Against Art," elicited an unprecedented number of emails. These came mostly from angry artists who believed that they had produced works of high quality that had been spurned by the art establishment. The artists who had achieved world fame, on the other hand, had in many cases done so only because they had produced decadent works of trash designed to deprave and corrupt the public: such as pornographic Madonnas, crucifixes offensively placed in urine, cans stuffed with the artist's own excrement, and unmade beds with condoms and blood-stained panties conveniently scattered around as "significant" litter.

These puerile charlatans had set out to destroy traditional values, promote sexual perversion, mock Christianity, and, in general, create ugliness and despair - a sorry situation promoted by an art establishment that has been dominated since the early 20th century by Jewish art critics, collectors and dealers. This Jewish influence on art is of course in accordance with the openly declared aims of the Frankfurt School, a Jewish revolutionary movement dedicated to the destruction of traditional Western values - and indeed to the very people who live by those cherished values.

Unbelievable? Absolutely. If it weren't unbelievable, it wouldn't be true.

I ought perhaps to mention my reasons for discussing these emails in public. (With one exception, pseudonyms are used, because this was generally insisted on as the condition for publication. I also had to do some editing for style and brevity.)

Comment: In light of the above, consider Israel Shamir's words in A Study of Art:
"Does it matter that they are Jewish?", asks the annoyed reader. "So there are a few Jews in the thoroughly anti-Christian, profane, totalitarian world of modern art. So what? They are still a tiny minority". Well, not really.

The large database on Jewish influence in the US, gives following names and numbers (Incidentally, the database uses exclusively Jewish sources):

The Jewish influence in modern art is well attended. By 1973, some estimated that 75-80% of the 2500 core "art market' personnel of the United States - art dealers, art curators, art critics, and art collectors -- were Jewish[ii]. In 2001, according to ARTnews, at least eight of the "Top Ten" US art collectors were Jewish: Debbie and Leon Black, Edythe and Eli Broad, Doris and Donald Fisher, Ronnie and Samuel Heyman, Marie-Josee and Henry R. Kravitz, Evelyn and Leonard Lauder, Jo Carole and Ronald S. Lauder, and Stephen Wynn.

"Today," wrote Gerald Krefetz in 1982, "... Jews enjoy every phase of the art world: as artists, dealers, collectors, critics, curators, consultants, and patrons. In fact, the contemporary art scene has a strong Jewish flavour. In some circles, the wheelers and dealers are referred to as the Jewish mafia since they command power, prestige, and most of all, money."

In 1996, Jewish art historian Eunice Lipton explained that she went into a career of an art historian in order to be in a field dominated by Jews: "I wanted to be where Jews were -- that is, I wanted a profession that would allow me tacitly to acknowledge my Jewishness through the company I kept."[iii] The field of art history... was filled with Jews. One might even say it was shaped by them[iv].

At the Metropolitan Museum of New York, Arthur Ochs Sulzberger (former publisher of the New York Times) eventually became its chairman. He oversaw an institution in which Jews, says George Goodman, "have enriched every area of the Museum's collections, including pre-Colombian ceramics (Nathan Cummings), African art (Klaus Perls), ancient Mediterranean and Middle Easter Art (Norbert Schimmel), Old Masters Paintings (Lore and Rudolph Heinemann), French decoration arts (Belle and Sol Linsky) modern European Art (Florence May Schoenborn), modern American art (Muriel Kallis Steinberg Newman; Edith and Milton Lowenthal), Indonesian bronzes (Samuel Eilenberg), and South and Southeast Asian Art (Enid Haupt and Lita Hazen, Walter Annenberg's sisters).[v] Throughout the Met too, galleries, rooms, theatres, and gardens are named after Jewish sponsors including Iris and B. Gerald Canter, Helene and Michael David-Weill, Lawrence and Barbara Fleishman, Howard Gilman, Leon Levy, Henry R. Kravis, Janice H. Levin, Carroll and Milton Petrie, Arthur, Mortimer, and Raymond Sacker, Laurence Tisch, and Ruth and Harold Uris. (Among the various Jewish curators at the Museum is Barbara Weinberg, head of American Paintings and Sculpture).

By the 1980s, four of the ten board members that dole out the MacArthur Foundation "genius awards" were also Jewish; two Jews also sat on the board of the Russell Sage Foundation.[vi] The Kaplan Fund has also had an important impact on the art community in divvying out awards. One of J. M. Kaplan's daughters was the Chairman of the New York State Arts Council.[vii] Joan Kaplan Davidson was appointed as chairman of the $34 million New York State Art Council in 1975 despite the fact that she was "not professionally trained in the arts." Her mother, Alice Kaplan, was once president of the American Federation of the Arts.

The Getty Museum, founded by the non-Jewish oil mogul, J. Paul Getty (and with $4 billion of funds, the richest museum on earth) has consistently had Jews at the economic helm. In 1998, after 17 years, Harold Williams left the presidency of the J. Paul Getty Trust. Williams, notes George Goodman, was "raised in a Labor Zionist home in East Los Angeles."[viii]. The new president of the J. Paul Getty Trust is another Jewish administrator, Barry Munitz, formerly the chancellor of both the California State University system and the University of Houston.

The fact that Jews are so dominating in the art world is very rarely publicly acknowledged. It is forbidden -- as always for anyone, anywhere -- to discuss the subject for fear of being branded "anti-Semitic." Typically, as example, an entire 1989 academic volume on the "Sociology of the Arts" fails to mention Jews as sociological entity in the modern art dynamic. There are analyses of art galleries, "artist groups," art patrons, and art audiences, broken down into gender, age, income, occupation, and even "racial and ethnic minorities." We can find that, negligibly, "blacks, Orientals, and persons of Spanish origin constitute about 7% of the art audience," but there is nothing whatsoever about Jews, even their own percentage of that "art audience," let alone how many art galleries they own, museums they direct, and articles they generate about art value.[ix]

Why did it happen? What is the reason of Jewish success in the field of Modern Art? It is not due to great achievements of Jewish artists: they are quite modest, and despite the PR support of Jewish art collectors, curators and critics, they are well within what could be expected for a fifteen-million-strong wealthy community. Interaction of wealthy Jewish collectors and philanthropists with Jewish critics active in the Jewish-owned media provides us with a partial answer.
Jewishness is not the fault here however, and we will disagree with Dr Lasha Darkmoon's opinion, that "[t]he only hope for mankind [...] is the mass conversion of the Jews to Christianity".

As in every case where we see efforts to kill creativity, beauty and humanity, the fault here also lies with psychopaths - mainly schizoidal psychopaths - so it is not mainly a Jewish problem, though certainly the Jews have been used for the purposes stated in the article.